Abstract
The painter and writer Giovanni Paolo Lomazzo wrote two of the most complex treatises on art in sixteenth-century Italy: The Trattato dell’Arte della Pittura (1584) and the Idea del Tempio della Pittura (1590), both published in Milan by Paolo Gottardo Pontio. Defined by Schlosser as “the bible of Mannerism,” the Trattato is divided into seven books dedicated to the seven parts of painting, namely proportion, movement, light, color, perspective, storie of painting, and the practice of painting. It is one of the most complete attempts to give painting a defined theoretical structure.
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References
Primary Literature
Lomazzo, Giovanni Paolo. 1563. Libro de’ Sogni. Milan.
Lomazzo, Giovanni Paolo. 1584. Trattato dell’Arte della Pittura, Scoltura et Architettura. Milan: Paolo Gottardo Pontio.
Lomazzo, Giovanni Paolo. 1587. Rime di Gio. Paolo Lomazzi, Milanese Pittore, Diuise in Sette Libri. Milan: Paolo Gottardo Pontio.
Lomazzo, Giovanni Paolo. 1589. Rabisch. Milan: Paolo Gottardo Pontio.
Lomazzo, Giovanni Paolo. 1590. Idea del Tempio della Pittura. Milan: Paolo Gottardo Pontio.
Lomazzo, Giovanni Paolo. 1591. Della Forma delle Muse. Milan: Paolo Gottardo Pontio.
Secondary Literature
Ackerman, Gerald Martin. 1967. Lomazzo’s treatise on painting. The Art Bullettin XLXI (4): 317–326.
Bora, Giulio. 1989. Da Leonardo all’Accademia de la Val di Bregno: Giovanni Paolo Lomazzo, Aurelio Luini e i Disegni degli Accademici. In Raccolta Vinciana, vol. XXIII. Milan.
Bora, Giulio, Manuela Kahn-Rossi, and Francesco Porzio. 1998. Rabisch, Il Grottesco nell’Arte del Cinquecento. Milan: Skira.
Ciardi, Roberto Paolo. 1973. Scritti sulle Arti. Pisa: Marchi e Bertolli.
Isella, Dante. 1993. Rabisch. Torino: G. Einaudi.
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Tramelli, B. (2020). Lomazzo, Gian Paolo. In: Sgarbi, M. (eds) Encyclopedia of Renaissance Philosophy. Springer, Cham. https://doi.org/10.1007/978-3-319-02848-4_864-1
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DOI: https://doi.org/10.1007/978-3-319-02848-4_864-1
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