© 2018 Walter de Gruyter GmbH, Berlin/Munich/Boston
Cite this chapter
Korneeva, Tatiana. "The Art Of Adaptation And Self-Promotion: Carlo Gozzi’S La Principessa Filosofa". Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain, edited by Joachim Küpper and Leonie Pawlita, Berlin, Boston: De Gruyter, 2018, pp. 40-58. https://doi.org/10.1515/9783110536881-003
Korneeva, T. (2018). The Art Of Adaptation And Self-Promotion: Carlo Gozzi’S La Principessa Filosofa. In J. Küpper & L. Pawlita (Ed.), Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain (pp. 40-58). Berlin, Boston: De Gruyter. https://doi.org/10.1515/9783110536881-003
Korneeva, T. 2018. The Art Of Adaptation And Self-Promotion: Carlo Gozzi’S La Principessa Filosofa. In: Küpper, J. and Pawlita, L. ed. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin, Boston: De Gruyter, pp. 40-58. https://doi.org/10.1515/9783110536881-003
Korneeva, Tatiana. "The Art Of Adaptation And Self-Promotion: Carlo Gozzi’S La Principessa Filosofa" In Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain edited by Joachim Küpper and Leonie Pawlita, 40-58. Berlin, Boston: De Gruyter, 2018. https://doi.org/10.1515/9783110536881-003
Korneeva T. The Art Of Adaptation And Self-Promotion: Carlo Gozzi’S La Principessa Filosofa. In: Küpper J, Pawlita L (ed.) Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin, Boston: De Gruyter; 2018. p.40-58. https://doi.org/10.1515/9783110536881-003
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